Colors of the Wind

Colors of the Wind grew from a simple studio belief: everything is relevant. Paint skins lifted from old palettes are preserved and incorporated into new surfaces, transforming remnants of past work into active material.

Layered like geological strata, the paintings compress weeks and months of studio time into a single surface. Invisible actions become visible through their effects, offering a visual record of process, continuity, and the ongoing conversation between past and present practice.