A Look in the Studio

An artist standing on a small platform, working on a large abstract painting with splashes of various colors on a wall in an art studio.

Roosevelt’s studio practice is rooted in a layered, intuitive process guided by research, reflection, and material exploration. Each painting or series begins with a written point of departure - a poem, a piece of music, a literary reference, a philosophical symbol, an emotional state, a garden palette, the work of an admired artist, or a moment drawn from current events.

From the first mark to the final gesture, Roosevelt considers how each influence can be woven into the depth of the work. These internal narratives and contemplations inform the composition, structure, color, texture, and tension of each piece. When the elements align and the work becomes energetically resonant, it is considered complete.

A similar process guides her sculptural practice. Working with steel, bones, found materials, and other objects, Roosevelt constructs narrative forms that are tactile and layered. These works oscillate between fantasy and the implied, often balancing humor and play with deeper reflections on human nature and the inner life.

An artist's studio with paintings on the wall, a table covered with art supplies, and a woman sitting in a chair.

A woman with blonde hair in a ponytail, wearing black top, white shirt, black pants, and flip-flops, standing in front of a large abstract painting on a white gallery wall, pointing at the painting.

An artist in a white outfit and purple gloves is working on a large abstract painting in a studio. The studio has three other large abstract paintings on the wall, and various art supplies and tools are scattered on a table in the foreground.

An artist painting colorful, abstract animal portraits on two large canvases in a studio.

A woman with blonde hair tied back, wearing a black shirt, standing in front of a large abstract painting with splatters of various colors including blue, yellow, black, and white.